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Seattle TV, Film, and Video – Any moron can shoot a home movie, but creating the TV, film, and video in Seattle takes hundreds of hours of hard work.

The average moviegoer doesn’t realize how many people it takes to produce a TV episode in Seattle, much less a full-length feature film. It’s hard work, but it’s fun. It can be hard to break into the Seattle TV, film, and video industry, but there are a lot of good positions. 
 

Jobs in TV, Film and Video in Seattle

People in the Seattle video production business know that it takes an army to make a movie. For every minute of final high-end film that’s shot, there’s probably close to a half-dozen hours of preparation, multiple takes, post-production cleanup, and processing.

Stay in the theater and watch the entire credits once in a while. There are actors and directors, of course, but all those other names are necessary to bring a film project to fruition. The film jobs in Seattle are typically shot by a small group of directors and film production crews. If you're not part of the crew, it's a long process to get on board. You're going to need to work with people who may get angry when things don't go their way, and there's certain to be monotonous parts of the job. There are too many jobs to count on a typical video production site. There are actors, producers, directors, cinematographers, makeup artists, grips, lighting techs, sound techs, and much, much more. It's hard to sum up the entirety of TV, film, and video in Seattle. It all depends on what you want to do.

Actors may get all the fame, but they’re just a bunch of prima donnas. Seattle TV, film and video production crews rarely get along with the “talent.” They just whine about the brand of bottled water on the set and that there isn’t any sushi in the green room.

If you’re interested in working on TV episodes or in video production in Seattle, you may want to job shadow someone who works in the industry. You’ll see the nitty-gritty of setup and teardown, and maybe learn some lingo, like CP-47 (a clothespin for hanging up gels on lights) and stinger (an extension cord). It’s good to know a few terms to toss around in job interviews.

But working in TV, film, and video production isn’t all rainbows and ice cream. It can be a pain to be on the set all day, and your hours can be extended arbitrarily. You can even be called out to a shooting location and be forced to stay there for long, rainy weekends.

But don’t worry. If you screw up a shot, they can always fix it in post.

Seattle TV, Film, and Video

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